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Table of Contents
FOR VOL. 15, #4— July/August 2008
Or Buy Creative Screenwriting at Newsstands, only $6.95
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X-FILES BONANZA
Truth at 24 fps:
Writers Chris Carter and Frank Spotnitz drop hints about the secrets behind I Want to Believe, the new movie spun from the series, and their own creative process.
Channeling the past:
As the TV series approaches its 15th anniversary, Carter and Spotnitz join Creative Screenwriting in looking back through the episode files.
STORIES BY JASON DAVIS
Love Among the Ruins
In WALL-E, Andrew Stanton's new Pixar movie, a robot abandoned on a trash-strewn planet finds his soul mate.
Plus, legendary sound designer Ben Burtt gives WALL-E a voice.
BY DANNY MUNSO
Pilot Lessons
'Tis the season for selling original series. Despite a downturn in production, an original pilot is now an essential part of a TV writer's portfolio. Our roundtable weighs in on what to write and where things are headed.
Plus, Tom Kapinos on writing the pilot for Californication.
BY SHELLEY GABERT
Riveting Recount
How first-time writer Danny Strong mined suspense from a story whose ending we know too well.
BY ERIC ELFMAN
SCHOOL CRAZE: OUR ANNUAL EDUCATION FOCUS
Acting the application: Tips and a Timeline
A successful recent applicant helps you navigate the grad-school gauntlet.
BY LEAH CAMERON
UCLA vs. USC: The Cross-town Smackdown
Who's the best? Our handy chart compares screenwriting options at two of the best-known schools in the filmmaking capital.
BY NANCY HENDRICKSON
Leave the Light On
Short-stay MFAs, also known as brief residency programs, let students return home to write.
BY JACK EGAN