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"Sometimes characters come from out of necessity. On Orange is The New Black, I’ll go to write a scene and will think, “God, I really need a person for Piper to talk to, so let me just create a character so she can have someone to talk to because all the other characters are busy right now.” And then that new person can become a character on the show."
Sian Heder
creativescreenwriting.com/tallulah/
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Empathising with the Villain in Tallulah!
Don't miss Orange is the New Black's Sian Heder on creating fully formed characters, juggling distinct POVs, and directing your own script.
creativescreenwriting.com/tallulah/
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"As a writer, the biggest question you can be asked is, 'What are you working on?' So you better have a great freakin’ answer that makes someone say, 'I want to read that.' And that’s what your logline does for you."
Lane Shefter Bishop
creativescreenwriting.com/write-great-loglines/
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"The logline is like the rudder of a boat. It steers you. But it can also tell you what’s wrong."
Lane Shefter Bishop
creativescreenwriting.com/write-great-loglines/
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Learn the three essential components of a good logline!
creativescreenwriting.com/write-great-loglines/
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