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Why You Should Be Reading
The New, Revitalized


 Creative Screenwriting Magazine

IN THE CURRENT ISSUE:

Coen Brothers, Aaron Sorkin Interviews

PLUS:


What’s Working In Romantic Comedy Scripts





Dear Screenwriter,


Editor Amy Dawes and her editorial team have brought new life and vitality to what was already called the "best screenwriting magazine."   For example ...

      The Coen Brothers tell Creative Screenwriting’s Jeff Goldsmith in an exclusive interview about the artistic choices in what they retained from the novel in “No Country For Old Men.”

    Aaron Sorkin reveals to our Danny Munso where he got help in paring down a 550-page true story for “Charlie Wilson’s War”

    How do you really write a romantic comedy that gets made?  Learn from the writers of five current and soon-to-be-released movies in the March-April issue (with a special report from Billy Mernit – the man who wrote the book – on what’s working in rom-com).

    And do you want to know how to break in to TV writing?   We’ll give you the exclusive two-part series as a free extra with your subscription.

    Exclusive: “Keeping Your Agent”–click a cover image or a  “subscribe” link anywhere on this page to find out how.    

Subscribe Now  --
100% Money-Back Guarantee–
Evaluate The First Issue At No Risk!

 
If those aren’t enough reasons, here’s one more:
Save more with new subscriber discounts on our other products.

We hate to do it, but due to rising costs, we have been forced to raise prices. 

However, if you respond to this offer by March 18, 2008, you can still beat the price increase and receive your full-year (six bimonthly issues) subscription at the old price ($23.95 for a one-year U.S. subscription, and corresponding discounts for foreign subscriptions and longer subscription terms).

Why Subscribe?  Here's Why --

Creative Screenwriting Magazine is your gateway to every kind of information, resource, and support you’ll need to succeed as a screenwriter.

Every issue gives you:

    ● How it got written and made–the inside story: you’ll receive more interviews with produced major-studio and independent screenwriters and writers-directors than you would from any other publication on the planet.

    ● How to write it: world-famous screenwriting teacher Karl Iglesias’ column is just one of several regular contributions on the craft of screenwriting.  A recent example: “Five ways to avoid preaching your message.”

    ● How to sell it (and yourself): We just told readers how and when – exactly how and when, step by step – to break into TV writing.  No one has ever published these key insider steps and techniques before.  In fact, our two-part article is still the only way to get all this information in one place.  And it’s yours as a free extra with a subscription – see below.**

    ● What’s hot, what’s not: in each issue, our Jim Cirile taps the street smarts of several
working Hollywood agents to find out what’s in demand now on the lots where the deals are being made.

    ● Where to get help: the magazine is an ongoing, ever-updated guide to every resource you’ll need to succeed: best new screenwriting books, software, seminars, script analyst services, meetings, and much more.  This may seem odd, but it’s true: advertisements in Creative Screenwriting are so focused on products and services screenwriters need that the advertisements alone are worth subscribing for. 

Bonus Benefits With Your Subscription:

    If you subscribe on line now, you’ll also receive:
   
    ● Online access to the current and most recent issues of Creative Screenwriting in PDF format – a free bonus issue.  (Your regular paper-based subscription will start with the next issue and arrive by mail.)

    ● "Know Your Show, Part 1: How To Pick the Best Spec Script To Write For The Upcoming TV Staffing Season"

    ● "Know Your Show Part 2: Write Your TV Spec Script Like A Pro"

    ● "Book Smart: A Novice’s Guide to Acquiring Literary Material to Adapt"

    ● "Writeware: A guide to production companies, agents, and managers open to unsolicited query letters."
 

    ● Subscriber discounts that can save you more than the price of a subscription on other Creative Screenwriting resources for screenwriters – see below
 
About Those Subscriber Discounts On Our Other Products:

They are a brand new subscriber benefit.

Many screenwriters find our instructional DVDs , the Screenwriting Expo, and other special reports to be vital to their screenwriting aspirations and careers.  We want to reward your loyalty and your wise decision to subscribe.

So for the first time, we will soon begin offering discounts of 5% to 15% to Creative Screenwriting subscribers on DVDs, special reports, Screenwriting Expo registrations,  seminars we organize, and other products we produce. 
 

(For technical reasons having to do with the shopping cart, we cannot yet offer these discounts for our screenplay contests, but we hope to do so in the future.)

One Detail About These Discounts: We’ll Need Your Email Address:

These discounts will be advertised by email only.  So we must have your email address to offer these discounts to you.  Email is the only cost-effective way we have to send discount coupons.   So when you subscribe, please be sure to provide your email address, and put both “creativescreenwriting.com” and “constantcontact.com” (our permission email service provider) in your email “friends” list. 

100% Money-Back Guarantee Under This Offer:

I am so sure that you will find Creative Screenwriting Magazine to be worth many times the price that I am offering you this ironclad, no-hassles, 100% money-back guarantee:

If you’re not completely satisfied, contact us at any time before you receive the second print issue, and we’ll refund 100% of your subscription payment. 

That’s right – the very first issue has to be good enough to meet your standards, or you can have your money back.   You can keep that first issue of the magazine and any bonus downloads, with our compliments.  

 You receive all these benefits and there's no risk -- subscribe now.

Contents © 2008 Inside Information Group, Ltd., and Creative Screenwriting