How young and how hungry do you need to be to win a place on the 2018 Young & Hungry list?
From what I understand, the “Young” aspect is pretty figurative– which is great, because there are tons of talented writers out there in all age brackets and there’s often some bias against older writers who are just now starting to break in. But as far as “Hungry”… You gotta be pretty damn hungry. In many cases, literally. I can’t speak for everyone who made the list but there was a lot of hustle involved. A lot of rallying. A lot of lunches and brunches and coffees– all to build a network of people who really see what you do and appreciate it. And of course, while you’re building that network, you have to make sure you’re building a body of work that’s worthy of that appreciation.
Describe your unique personal and professional background and the specific project(s) that attracted industry interest?
Why did you decide to become a screenwriter above all other careers?
How do you become agent/manager bait?
Where do you get your creative inspiration?
Do you have a writing brand in terms of interests you gravitate towards?
How do characterize the current state of the industry and opportunities for emerging writers?
How do you train and improve your writing craft?
What are the qualities of scripts you read that don’t get industry interest?
What advice do you have for screenwriters wanting to make next year’s Young & Hungry list?
Put yourself out there. Be your own best advocate. Network, network, network– whether it’s in person or via Twitter (which is an amazing brand-building tool if you know how to use it.) But when you’re making these connections, be sure that they are genuine. Don’t just try and force a relationship with someone just because you think they might be able to help you.
What is something that few people know about you?